Productions

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Production 2016

Temps suspendu

In 2016, the Musée de la Poste commissioned Dramaticules to create a staged-reading in resonance with the photographs presented as part of its Temps suspendus – Explorations urbaines exhibition. The result is a mixture of trepidation and fascination.

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Production 2015

Pinocchio (reading)

Noémie Guedj, Simon Denis and Jérémie Le Louët bring to life Collodi’s densely populated universe, tackle the disguising of the different voices, and use music and amplified sounds to recreate the magic of one of the world’s finest myths.

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Production 2021

La Fabuleuse Histoire d’Ivan Tsarévitch

This journey into the land of the Tsars and the Moujiks takes us on a flight of the imagination at the heart of Russian folklore.

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Production 2014

Ciels de feu et de glace

In 2014, the Musée de la Poste commissioned Dramaticules to create the programme for a staged-reading in resonance with the La Tête dans les nuages exhibition. Jérémie Le Louët turned to one of his favourite authors: Marcel Schwob.

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Production 2013

Enfants de l’enfer

Jean Delabroy revisits the eight historical pieces that Shakespeare devoted to The Wars of the Roses. Enfants de l’enfer comprises two monologues, Immanité et Humanité. Dramaticules created this diptych as part of their association with the Théâtre de Châtillon, in conjunction with the creation of their full-scale production of Richard III.

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Production 2011

Le Roi au masque d’or

A masterpiece from the collection of the same name written by Marcel Schwob in 1893, Le Roi au masque d’or embraces with extraordinary might all the themes that the symbolists were so fond of: masks, mirrors, the moon, blood, purity and the tragic destiny of men.

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Production 2010

Les Décadents

The latter 19th century abounds with the most wonderful storywriters in literature across the globe. Jérémie Le Louët performs an anthology of tales which enables us to grasp the stylistic flourish of the decadent movement. From lyrical works to baroque humour, and the use of explosive language, Les Décadents brings us poetry which is playful, surprising and spectacular.

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Production 2010

Le Journal d’un fou

Written in 1835, this short story by Nicolaï Gogol is the only text in his repertory of works which is written in the first person. In the space of a few days, its hero loses his grip on reality. He starts by succumbing to strange feelings of desire, overhears a conversation between two dogs and then mistakes himself for the king of Spain…

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Production 2008

Sketchs à deux voix

These sketches by Roland Dubillard, taken from his work Diablogues, bring together on the stage two protagonists (A and B, to make things simple). By means of a play on language the rhythmic quality of which takes our breath away, we share in the stupidity of their ways and their spite, but also their endearing amazement as living creatures with the capacity of speech.

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