Productions

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Anthony Courret, Pierre-Antoine Billon, Jérémie Le Louët & Jonathan Frajenberg

Production 2020

Pinocchio

Dramaticules brings us a fairy tale for adults and children alike, set in the world of the fairground. A place for theatre in the making, where anything is possible, and in which memories, fantasies, myths and dreams are brought to life.

Pierre-Antoine Billon, Jonathan Frajenberg & Anthony Courret

On stage

Production 2018

Hamlet

Similar to Hamlet, the youth of today has a longing for an era that they have not experienced. How do we take action? Combining both Shakespeare and collective writing, repertory and new work, Dramaticules looks into the overbearing weight of tradition and cynicism of our times.

On stage

Production 2013

La Face cachée du plateau

How does a director make use of the technical and scenic possibilities offered by the stage? Dramaticules reveals to spectators the various means, aside from the text itself, used to reinforce the meaning of a piece currently being worked on: lighting, sound, and how the actors are directed.

On stage

Production 2016

Don Quichotte

With its narrator within the narration, stories within a story, and theatre within the theatre, Don Quixote is a work of multiple facets. It is, by turns, satire, sermon, homage, confession and form of amusement. By delving into the immense creativity, freedom and subversion at work in the novel, Dramaticules gives us the opportunity to discover a very real testimony to our times.

Jonathan Frajenberg, Jérémie Le Louët & Dominique Massat

On stage

Production 2014

L’Ubu roi des Dramaticules

Non-linear and non-reverential, this adaptation of Ubu roi des Dramaticules is a plea for creative freedom and unrestrained laughter in the face of the abuse of power. It is also the story of a troupe wanting to put on Ubu roi and tearing itself to pieces in the process.

David Maison, Jérémie Le Louët, Anthony Courret, Julien Buchy & Noémie Guedj

On stage

Production 2014

Affreux, bêtes et pédants

Based on its observations of the theatre industry, Affreux, bêtes et pédants denounces posturing, of the most pathetic kind, and all the imposters that are connected with it. In short, an unholy array of monsters. Preconceived ideas, the commonplace, and downright stupidity are the basis for this hard-hitting, unbiased fresco.

On stage

Production 2012

Richard III

Through a mixture of seduction, manipulation, composition, and imprecation, Richard turns his ascension and fall from power into a very entertaining spectacle. It provides us with an implacable, sarcastic and angry demonstration of the mediocrity of the world.

KaKatarzyna Krotki, Jérémie Le Louët, Noémie Guedj, Jonathan Frajenbert & Anthony Courret © Sébastien Chambert

On stage

Production 2011

Salomé

Salomé is a declaration of love to the French language, a meteor in the work of Oscar Wilde. In this moon-inspired poem, imbibed with exoticism and strange sonorities, Dramaticules endows the different characters with the full range of feelings and emotions.

On stage

Production 2010

Le Horla

In Le Horla, Jérémie Le Louët finds strong resonances with his work as an actor. The staging does not seek to create a Normandy-inspired interior. Instead, by virtue of its simplicity and technical exigencies, it aims to shed light upon the obsessions, anguish, and metaphysical questions that the protagonist is subject to.

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